|A B C D E F G H I J K L M N
O P Q R S T U V W X Y Z &
- One of Magritte's most common artistic devices was the use of objects to hide what lies behind. ... In The Human Condition, the cover-up appears in the form a painting within a painting.
- Magritte had this to say of his 1933 work:
- In front of a window seen from inside a room, I placed a painting representing exactly that portion of the landscape covered by the painting. Thus, the tree in the picture hid the tree behind it, outside the room. For the spectator, it was both inside the room within the painting and outside in the real landscape.
- Wells, H. G. (1933). The Shape of Things to Come. Hutchinson. [^]
- Korzybski, Alfred (1933). Science and Sanity: An Introduction to Non-Aristotelian Systems and General Semantics. 5th ed., Institute of General Semantics, 1994. [^]
- Magritte, René (1933). The Human Condition (La condition humaine). National Gallery of Art, Washington DC. [^]
- Magritte, René (1929). The Treachery of Images (La trahison des images). Los Angeles County Museum of Art, Los Angeles, California. [^]
- Ogden, C. K. & I. A. Richards (1923). The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism. London: Routledge & Kegan Paul Ltd. [^]