Learning Guides: It is a piece of rough (My own feeling) educational draft (research) as the respect of Sir Isaac Albeniz's Malagueña Suite (modified for piano). It is from a common classroom. I am hoping it could meet three basic requirements of similar type of Spanish and Andalusian folk music (through what I was willing to, but not representing I had done perfectly. It was just a new start with an appreciated heart to feel and to see) - 1. strong and variable Spanish Dancing dynamics were interactively corresponded with each other from the beginning and in the end; 2. a repeated piece of deep and profound singing in right hand was abstracted from Andalusian folk music as the main theme - cante jondo. It was set upon the repeated Spanish dancing rhythm in left hand (Wikipedia introduction: https://en.wikipedia.org/wiki/Cante_jondo), such as one time piece(0.33-0.47). Yes, this theme was with some moods like a little bit sad or anger, but could give you a much deeper heart-touching. Especially, when the third exploration of treble with more expressive Spanish spirits has begun from the right hand in the time piece (0.43-0.46), you can feel the touched soul was making self-reasoning of both busy life and universal nature, through to the only one peak pitch; and 3. a middle relaxed wandering upon our dreaming Andalusian beach was set there (0.56-1.37), deeply reflected out impressionist imageries, such as nightingale's monologue singing with beautiful ornamentations, 'more colours, sunlight, flavor of olives' alongside sea waves, which were kissing your ears, eyes, and soul. Here, we can also hear piano techniques of ornamentation with some pizzicatos, inserted into nightingale's singing, were attempting to simulate some stringed instruments, such as lute and guitar, which would deepen your leisure mood of holidays. (Wikipedia introduction:https://en.wikipedia.org/wiki/Lute) Further Aims: My further willing is: through producing techniques-trainings and making new versions frequently in the future ( such as some modifications - accompaniments in the left hand would be transformed as between Staccato and some small slurs with forces and rhythmic beats inputted) continuously, the further drafts following will be better than this one, I thought. Sometimes, My heart have been touched by Spanish spirits and flamenco dancing skills. I don't know other ways to express my feelings, but only piano and my hands, which I would like to share with my peers here. My heart would feel comfortable with those impressions of beautiful southern Spanish seaside landscapes and the profound singing in my imaginations and from my notation-reading. Self-reflexivity of this draft: I thought: in this first draft, the middle musical wandering upon dreaming Andalusian beach (0.55-1.35 seconds) is what part I felt senses of achievement to present my hands' controllability, which would be highlighted for educational purposes. But, other details of left hand's accompaniment in A parts from 'ABA' structure are a little bit rough which I felt not very satisfied. Hopefully, in the future, they would be better.
