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Ceremonial pole

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A ceremonial pole is a pole to symbolize a variety of concepts in several different cultures &/or religions. Since ancient times poles (many times of bamboo or Trees after cutting branches) are used as reverence/veneration/adoration/devotion or ceremonial objects; towards a faith, religion or cultuaral celebration amongst family or community. Pole celebrations , festivities and devotions are obsrved from north to south and from east to west almost on all continents either in past or present.

In some cases poles are or may have been worshiped as devine spirits, ancestor spirits or as deity in some other instances. Instances of ancient pole reverence can be cited from many geographic locations from across the world.

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    A Maypole

Evolution edit

In The Evolution of the Idea of God, Grant Allen notes that Samoyeds of Siberia, and Damara of South Africa plant stakes at the graves of ancestors.[1] According to Zelia Nuttall in The Fundamental Principles Of Old and New World Civilizations, tree and pole reverence to Anu in ancient Babylonia-Assyria may have evolved from the fire-drill and beam of the oil press, stating that it was extremely probable that the primitive employment of a fire-stick by the priesthood, for the production of "celestial fire," may have played an important role in causing the stick, and thence the pole and tree, to become the symbol of Anu.[2]

European festivals that include poles edit

Main articles: Maypole and Mære Church
 
Dancing around the maypole, in Åmmeberg, Sweden

A maypole is a tall wooden pole erected as a part of various European folk festivals, around which a maypole dance often takes place.

The festivals may occur on May Day or Pentecost (Whitsun), although in some countries it is instead erected at Midsummer. In some cases the maypole is a permanent feature that is only utilised during the festival, although in other cases it is erected specifically for the purpose before being taken down again.

Primarily found within the nations of Germanic Europe and the neighbouring areas which they have influenced, its origins remain unknown, although it has been speculated that it originally had some importance in the Germanic paganism[3] of Iron Age and early Medieval cultures, and that the tradition survived Christianisation, albeit losing any original meaning that it had. It has been a recorded practice in many parts of Europe throughout the Medieval and Early Modern periods, although became less popular in the 18th and 19th centuries. Today, the tradition is still observed in some parts of Europe and among European communities in North America.[4]

Some scholars classify maypoles as symbols of the world axis (axis mundi). The fact that they were found primarily in areas of Germanic Europe, where, prior to Christianisation, Germanic paganism was followed in various forms, has led to speculation that the maypoles were in some way a continuation of a Germanic pagan tradition.[3] One theory holds that they were a remnant of the Germanic reverence for sacred trees, as there is evidence for various sacred trees and wooden pillars that were venerated by the pagans across much of Germanic Europe, including Thor's Oak and the Irminsul.[5][6] Professor of Social Anthropology, Liverpool University, James George Frazer (1854–1941) notes in his s:en:The Golden Bough/Relics of Tree Worship in Modern Europe that "in the north of England it was formerly the custom for young people to rise a little after midnight on the morning of the first of May, and go out with music and the blowing of horns into the woods, where they broke branches and adorned them with nosegays and crowns of flowers. This done, they returned about sunrise and fastened the flower-decked branches over the doors and windows of their houses." He also informs that,'Sir Henry Piers, in his _Description of Westmeath,_ writing in 1682 says: "On May-eve, every family sets up before their door a green bush, strewed over with yellow flowers.." and 'In Northamptonshire a young tree ten or twelve feet high used to be planted before each house on May Day so as to appear growing'.


It is also known that, in Norse paganism, cosmological views held that the universe was a world tree, known as Yggdrasil.[7][8][9][10][11] There is therefore speculation that the maypole was in some way a continuance of this tradition.

The floor of the Mære Church, Norway, was excavated in 1969,[12] and found to contain the remains of a pagan cult structure. The nature of that structure was not clear. Lidén felt this represented the remains of a building, but a critique by Olsen (1969:26) in the same work suggested this may have be been a site for pole worship. A recent review of the evidence by Walaker (Norddide 2011: 107-113)[13] concluded that this site was similar to the site in Hove (Åsen, also in Nord-Trøndelag) and was therefore likely a cult site for pole worship.

Pole symbolism in Asia edit

China and East Asia edit

Main article: Jangseung
 
A predominantly wooden ovoo in northern Mongolia

A jangseung or village guardian is a Korean ceremonial pole, usually made of wood. Jangseungs were traditionally placed at the edges of villages to mark for village boundaries and frighten away demons. They were also worshipped as village tutelary deities.[14][15][16]

The Middle East edit

Main article: Asherah pole

An Asherah pole is a sacred tree or pole that stood near Canaanite religious locations to honor the Ugaritic mother-goddess Asherah, consort of El.[17] The relation of the literary references to an asherah and archaeological finds of Judaean pillar-figurines has engendered a literature of debate.[18]

The asherim were also cult objects related to the worship of the fertility goddess Asherah, the consort of either Ba'al or, as inscriptions from Kuntillet ‘Ajrud and Khirbet el-Qom attest, Yahweh,[19] and thus objects of contention among competing cults. The insertion of "pole" begs the question by setting up unwarranted expectations for such a wooden object: "we are never told exactly what it was", observes John Day.[20] Though there was certainly a movement against goddess-worship at the Jerusalem Temple in the time of King Josiah, it did not long survive his reign, as the following four kings "did what was evil in the eyes of Yahweh" (2 Kings 23:32, 37; 24:9, 19). Further exhortations came from Jeremiah. The traditional interpretation of the Biblical text is that the Israelites imported pagan elements such as the Asherah poles from the surrounding Canaanites. In light of archeological finds, however, modern scholars now theorize that the Israelite folk religion was Canaanite in its inception and always polytheistic, and it was the prophets and priests who denounced the Asherah poles who were the innovators;[21] such theories inspire ongoing debate.[22]

South Asia edit

In present times in Indian subcontinent several festivals and celebrations, as in Hinglajmata Sindh, Gudi Padwa, KathiKawadi,[23] Jatarakathi, Nandidhwaja,[24] khambadev[23] (Maharashtra), Nimad (Madhya Pradesh), Gogaji temple (Rajasthan) and khambeshvari (Orisa)[25] then in Tripura and in Manipur, central poles are features in temple and festival settings.[citation needed]

According to Adi Parva (critical edition) of Indian epic Mahabharata a Bamboo festival named Shakrotsava was Celebrated in Chedi Kingdom.[26] Uparichara Vasu was a king of Chedi belonging to the Puru dynasty. He was known as the friend of Indra. During his reign, Chedi kingdom introduced 'Shakrotsava' festival in his kingdom in the honor of Indra. The festival involved planting of a bamboo pole every year, in honor of Indra. The king will then pray for the expansion of his cities and kingdom. After erecting the pole, people decked it with golden cloth and scents and garlands and various ornaments. (1,63).

Pole dances and festivals edit

Kay Htoe Boe is a Karenni ancient dance and prayer festival, held by the men in the Kayan community in Myanmar. In the Kayan creation story, the Eugenia tree is the first tree in the world. Kay Htoe Boe poles are usually made from the Eugenia tree.[27]

Kay Htoe Boe poles have four levels, named for the stars, sun and moon, and the fourth level is a ladder made with a long white cotton cloth.[27]

Staff god edit

Main article: Cook Islands art § Staff God

In Māori mythology, Rongo, the god of cultivated food, especially the kūmara, a vital food crop is represented by a god stick called whakapakoko atua.[28]

In the Cook Islands Cult figures called staff-gods or atua rakau from Rarotonga, apparently combine images of gods with their human descendants. They range in length between 28 inches (71 cms) and 18 feet (5.5 m) and were carried and displayed horizontally.[29]

See also edit

 
Maypole dancing at Beltaine Festival Cape Town 2010

References edit

  1. ↑ Allen, Grant (1996). The Evolution of the Idea of God. Pomeroy, WA: Health Research Books. p. 42. ISBN 978-0-7873-0022-7. http://books.google.com/books?id=7Phor3HbvIcC&pg=PA42. 
  2. ↑ Nuttall, Zelia (March 1901). The Fundamental Principles of Old and New World Civilizations (E-Book ed.). Cambridge, Mass.: Peabody Museum of American Archaeology and Ethnology. pp. 362, 504. http://www.gutenberg.org/files/32066/32066-h/32066-h.html. Retrieved 25 September 2015. 
  3. ↑ 3.0 3.1 Russel, Jefferry Burton (22 February 2005). Medival Civilisation. Eugene: Wipf and Stock Publishers. p. 243. ISBN 1-59752-103-5. https://books.google.co.in/books?id=C05LAwAAQBAJ&pg=PA243. 
  4. ↑ Cannon, Kelly (May 21, 2015). "Good Neighbor: Former teacher continues tradition of Maypole dance". From the Good Neighbors series. No. May 21, 2015. The Herald Journal, 75 West 300 North Logan, UT. The Herald Journal's Staff writer. Retrieved 28 September 2015.
  5. ↑ A History of Pagan Europe by Prudence Jones and Nigel Pennick, Routledge, 1997, ISBN 0-415-15804-4, ISBN 978-0-415-15804-6, p. 119.
  6. ↑ Frazer, James George (1922). The Golden Bough: A Study in Magic and Religion. p. Chapter 10:: Relics of Tree Worship in Modern Europe. https://en.wikisource.org/wiki/The_Golden_Bough. Retrieved 28 September 2015. 
  7. ↑ 'The London quarterly review, Volumes 113-114', Theodore Foster, 1863, p. 117.
  8. ↑ 'The History of Religions' By Hopkins Edward Washburn, The McMillan Company 1929, p. 166.
  9. ↑ European paganism: the realities of cult from antiquity to the Middle Ages by Ken Dowden, Routledge, 2000, ISBN 0-415-12034-9, ISBN 978-0-415-12034-0, p. 119.
  10. ↑ 'Nart sagas from the Caucasus: myths and legends from the Circassians, Abazas, Abkhaz, and Ubykhs' by John Colarusso, Princeton University Press, 2002, ISBN 0-691-02647-5, ISBN 978-0-691-02647-3, p. 102.
  11. ↑ 'The early history and antiquities of Freemasonry: as connected with ancient Norse guilds, and the oriental and mediæval building fraternities' by George Franklin Fort, Bradley, 1881, p. 361.
  12. ↑ Lidén, Hans-Emil. 1969. From Pagan Sanctuary to Christian Church, the Excavation of Mære Church in Trøndelag. Norwegian Archaeological Review. (1969) 2, pp. 3–32.
  13. ↑ Walaker Nordeide, Sæbjorg. 2011. The Viking Age As a Period of Religious Transformation: The Christianization of Norway from AD 560 to 1150/1200. ISBN 2503534805, Brepols Publishers.
  14. ↑ Education in Korea. Ministry of Education and Human Resource Development, Republic of Korea. 2002. p. 133. 
  15. ↑ Ah-young, Chung. "Sculptor keeps traditional Korean woodworking alive". koreatimes.co.kr. Retrieved 26 September 2015.
  16. ↑ Chongsuh, Kim (2013). "Contemporary religious conflicts and religious education in the Republic of Korea". Peace Education and Religious Plurality: International Perspectives. ISBN 9781317969389. 
  17. ↑ Sarah Iles Johnston, ed. Religions of the Ancient World, (Belnap Press, Harvard) 2004, p. 418; the book-length scholarly treatment is W.L. Reed, The Asherah in the Old Testament (Fort Worth: Texas Christian University Press) 1949; the connection of the pillar figurines with Asherah was made by Raphael Patai in The Hebrew Goddess (1967)
  18. ↑ Summarized and sharply criticized in Raz Kletter's The Judean Pillar-Figurines and the Archaeology of Asherah (Oxford: Tempus Reparatum), 1996; Kletter gives a catalogue of material remains but his conclusions were not well received in the scholarly press[citation needed]
  19. ↑ W.G. Dever, "Asherah, Consort of Yahweh? New Evidence from Kuntillet ʿAjrûd" Bulletin of the American Schools of Oriental Research,1984; D.N. Freedman, "Yahweh of Samaria and his Asherah", The Biblical Archaeologist, 1987; Morton Smith, "God Male and Female in the Old Testament: Yahweh and his Asherah" Theological Studies, 1987; J.M. Hadley "The Khirbet el-Qom Inscription", Vetus Testamentum, 1987
  20. ↑ John Day, "Asherah in the Hebrew Bible and Northwest Semitic Literature" Journal of Biblical Literature 105.3 (September 1986:385-408) p 401; asherim are discussed pp 401-04.
  21. ↑ William G. Dever, Did God have a wife?: Archaeology and folk religion in ancient Israel, 2005, esp. pp
  22. ↑ Shmuel Ahituv (2006), Did God have a wife?, Biblical Archaeology Review, Book Review
  23. ↑ 23.0 23.1 Deore, Sudhir Rajaram (30 May 2013). "काठीकवाडी". अहिराणी लोकपरंपरा (in Marathi). Mumbai, India: Granthali. pp. 142. ISBN 9789382161967. https://openlibrary.org/works/OL16500315W/Ahirani_Lok_Parampara. Retrieved 17 September 2015. 
  24. ↑ Bhatt, S. C.; Bhargava, Gopal K (2006). Land and People of Indian States and Union Territories: Volume No 13. Delhi: Kalpaz Publications. p. 488. ISBN 81-7835-369-5. https://books.google.co.in/books?id=Zo5lvtslcEUC&printsec=frontcover#v=onepage&q&f=false. Retrieved 28 October 2015. 
  25. ↑ Ray, Bidyut Lata. "The Concept of the Goddess Khambhesvari in The Culture of the Orissan Tribes". Orissa Review (September–October 2005): 3. http://odisha.gov.in/e-magazine/Orissareview/sept-oct-2005/engpdf/The%20Concept%20of%20the%20Goddess%20Khambhesvari.pdf. Retrieved 28 September 2015. 
  26. ↑ Adi Parva (critical edition) of Indian epic Mahabharata 1.63
  27. ↑ 27.0 27.1 Yu, Khon Pay. "Karenni Festival". Huay Pu Keng/ huaypukeng.com. Retrieved 29 September 2015.
  28. ↑ "Whakapakoko atua (Story: Kaitiakitanga – guardianship and conservation Part of page 5 – Key concepts)". www.teara.govt.nz. Te Ara - the Encyclopedia of New Zealand. Retrieved 2 October 2015.
  29. ↑ A world history of art by Hugh Honour & John Fleming (2005)
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