:Analogies for Sustainable Development/Adaptive flexibility as musical instrument


Analogy Ranking and Review
Analogy Characteristics

Style:
Directionality:

Analogy Quality

Rigor:
Popularity:
Value:

Article Quality

Peer review:
Resource base:
References:
Analogy map:


“Our open-ended behavioral flexibility, as individuals and as cultures, requires a genetically evolved architecture ... A more poetic metaphor than a “Darwin machine” is a musical instrument. It can produce an infinite number of songs but also has a single 'nature.'" (Wilson, 2009)[1]


Overview edit

David Sloan Wilson uses the metaphor of a musical instrument to demonstrate the difference between evolved innateness or “genetic determinism” and evolved adaptive flexibility or capacity for change. An instrument like a guitar, violin or saxophone has a certain inflexible structure, designed for a certain purpose, but the number of sounds and melodies one can produce with it are infinite. They are up to the player, but whether a tune sounds nice and appropriate is also dependent on the environment. The human brain can certainly be thought of as one of those instruments. Although all instruments have a rigid structure, some instruments are built to be more flexible (in the types of sounds they can make) than others - consider the difference between a woodblock, a flute, and a synthesizer.

Analogy Map edit

Instrument Biological Human
Physical structure Genome Human genomee
Variability of notes Gene expression behavioral and psychological flexibility
Musician
Listeners

Discussion edit

This analogy helps clarify the difference and relationship between “genetic determinism” and adaptive flexibility. Flexibility is a result of genetically evolved structure. Other examples of genetically rigid structures with evolved flexibility are the immune system and the human brain.

Quote Bank edit

Further Resources edit

References edit

  1. Wilson, D. S. (2009). Does evolution explain human nature? Yes and no. Does Evolution Explain Human Nature? John Templeton Foundation, 44–47.