English: 1st draft:
To be honest, this draft isn't mature and (far away from) satisfactory in piano performance, according to my dreaming standards. I was hoping it could be in Neo-expressionism (https://en.wikipedia.org/wiki/Neo-expressionism) and Neo-classicism (https://en.wikipedia.org/wiki/Neoclassicism), for reappearing rich colours, continuously varying emotional changes abstracted from formal manners and Royal dance-structuralized movements & scenes in a past Golden time, but through commons' hands. However, in this draft, for the reasons of short-time exercising and practices, I can only push out some basic ideas of Neo-expressions, such as highlighted theme-line with heads, layers and ornamentations etc.
No matter how, about this draft as a new beginning for my love (I really enjoyed to play it and appreciate its imageries) , I need to give my thanks to some pieces of information provided from Wikipedia - English Suites (https://en.wikipedia.org/wiki/English_Suites_(Bach) ), Baroque Music (https://en.wikipedia.org/wiki/Baroque_music), and Martha Goldstein's harpsichord Edition; and some inspirations from my and my children's daily classroom-practices.
Hopefully, in a short time, a better draft would come out; and hopefully, more commons would enjoy to share their reasonable works through daily practices on this platform; and hopefully, piano keyboard in this century would create more beautiful 'colours', like thousands flowers' blooming - of richness and vitality.
2nd Draft:
Briefly say - it's with much fluent sound-effects and strong rhythm, suitably as dancing suite, in which postmodernism picks up vivid colours from Neo-expressionism to see Neo-classicism's unexpressed, down-pressed, and deep-controllable emotions, and tries to explicit them in dynamics.