Digital Media and Information in Society/Student Journals/Bart Casabona/phonograph Phenomenology of Technology

The article "Phenomenological Framework in the Construction of the Concept of Sound Object" delves into how the phenomenological approach, influenced by Husserl, shapes the concept of a sound object in Pierre Schaeffer's work. Schaeffer's goal was to create a theoretical framework to understand music's experience, where a sound object is not a physical entity but a construct in consciousness through intentional listening. This process extends beyond the physical source of sound, delving into conscious construction. It often seeks the sound's source or cause, illustrating the complexity of this formation. Schaeffer's "reduced listening" strips away extra-acoustic elements, aligning with Husserl's phenomenological reduction. It focuses on pure sound matter as it's perceived, separate from external associations. In essence, the article delves into how sound objects are constructed in the context of phenomenological philosophy, highlighting the intricate interaction between sensory data and intentional consciousness.[1]

  1. https://d1wqtxts1xzle7.cloudfront.net/44465041/Pierre_Schaeffer_mediART_Zbornik_ZA_POTVRDU-libre.pdf?1459928177=&response-content-disposition=inline%3B+filename%3DSound_Image_Index_From_Pierre_Schaeffer.pdf&Expires=1698038161&Signature=dJxtWVMngYI3Runp2XNAt~6TK~j6HU76B4EGiOisyIRVAPl8x5v0vXJ7H~dXHADfXWKdAdztHvcyTXevEi2Ig9jG-TEb23ewxZmlsekJau4EKaA8tCERUkxwPlfRx8-LwowVWd2ZqQfl1NYSk-~vwkfZ0wd4T9sVLlVpWjd-Njak9CN9Bh2p~h3~7MMmUUJjyVOz~71FyHgTEvCW0DPSyIuEJOoXynhSyhsdWxi29fnoF7VJC452zikuxyGbbc8~VjYRXQFKXKXg~j9cKX9gFirE~uzj7MK94EeGxdoaaKWJvJcB-d5Vp4qHFv070flZz-KYUNqhk2Aie0mtf3Rhug__&Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA#page=36